![]() ![]() And that was my first day as chief engineer. A Parents Need to Know Parents need to know that Wild at Heart is a lovers-on-the-run movie from director David Lynch it won the Cannes Film Festivals Palme dOr. ![]() ![]() Then I put the whole lot through a Fairchild compressor. The Wild at Heart Experience is designed for small gatherings of men to go through the six sessions together. I used that sweater from Help, with the four necks, cause it was just lying around the studio. So then it was Ringo’s turn: ‘What can you do with the drums?' I changed all the microphone positions, moved them all a lot closer than you were supposed to and I stuffed the bass drum. But I looked out the studio window, saw the Hammond and had this brainwave. “He said ‘I want my voice to sound like the Dalai Lama sitting on a mountain top 25 miles away.’ We had no plug-ins then, no software, all we had was two stereo machines, our eight input mixing console, and an echo chamber. “John’s thinking process was different to anyone else’s,” he once told me. He helped make those records sound like nothing the world had ever heard before.Īs a 19-year-old in Abbey Road studios in 1966, it was Emerick who wired John Lennon’s vocals through a Hammond organ’s revolving Leslie speaker to record psychedelic epic Tomorrow Never Knows. Still just a teenager when he got the job, he was the guy who had to work out how to technically achieve the mad sonic ideas being conjured by John, Paul, George and Ringo. He was an unsung hero of music, who played a significant part in some of the greatest albums ever made.Įmerick was the Beatles' recording engineer, assistant to producer George Martin. ![]()
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